You also need to consider the audience, and what cues they will understand - not everyone interprets things in the same ways, especially between cultures, although when an animation has sound and music to back it up then this is less of a problem, since the context is already there.
Source: http://westsidetoastmasters.com/resources/book_of_body_language/chap1.html |
Silent films do not have the audio context to back it up, so everything has to be much more clear and concise. This makes it excellent reference for animators and deciding on how to make their character animation clearest.
Charlie Chaplin, was a master of this, using over exaggerated facial expressions and body language to add a sense of humor around normal movements. He could also put more exaggeration on the important movements and expressions though, at points where it was the most important to the story.
Charlie Chaplin, was a master of this, using over exaggerated facial expressions and body language to add a sense of humor around normal movements. He could also put more exaggeration on the important movements and expressions though, at points where it was the most important to the story.
Chaplin was even studied by Disney animators for his timing and interaction with the audience. There is no doubt in his actions about what is happening an what his character is thinking - even what the character is like, and the atmosphere of the scene despite the lack of colour, making a clear and entertaining performance.
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