Thursday 17 March 2016

PR02: Presentation










This story is set in a town called Vestige Vale, with a cowboy mixed with modern setting. The first scene begins in the Bounty Hunter's office, which is fairly small and not too well decorated. The colour scheme for this is warm and comfortable as the Bounty Hunter is not someone who puts a lot of stock into feeling like a professional.



The first character we see is the Assistant, as she enters the office for the day. She is tall and slim which can help to imply elegance and sensibility, with clothes that aren't too flashy but still look professional enough for the job. Her clothes are more modern than cowboyish but with the boots and the waistcoat (especially once it's colored) I think the she fits in enough. I dressed her in clothing that involved layers, as well as glasses covering a fair portion of her face since she may be hiding something which layers can subtly hint at.


We then see the Bounty Hunter who looks pretty much the complete opposite to the Assistant. He is small but wider and looks much closer to a cowboy than she does. He looks a little flashier with the large hat and pointier shoes to show his vanity, along with the well groomed sideburns. I made the Bounty Hunter very top heavy and small to make him feel a bit more stupid and incompetent, as that is an important part of his role in the story.


When the story begins, the Bounty Hunter has out a Wanted poster that the Assistant recognises. This isn't the completely final version of the wanted poster, but the point of it is that you can not see the character's face, only the tattoo on her arm. The assistant does not appear too happy at this poster, but hides that as she helps the Bounty Hunter create a plan which involves a piece of bait - something this notorious thief wouldn't ignore if they had the chance to steal it which is the piece of art on this sheet, also not finalised - that is more of a place holder for the sake of seeing it in action, but that is roughly what it will look like.




The art is shown off in front of the Mayor's Office before being placed in there. In the Bounty Hunter's plan, the Assistant got herself stationed there to carry out her own plan. As the Hunter is patrolling around the front of the building, she takes the painting to make her own getaway revealing the tattoo on her arm as she leaves the room via the window across from the painting [not pictured here]. The Mayor's office is much bigger and colder looking as it is much more professional and less homey. The walls are a blue-ish green colour to contrast with the oranges and browns in the Bounty Hunter's office, and the walls are paneled in a Georgian fashion, as this looks much more sophisticated next to the Bounty Hunter's plainer, modern office.




The Bounty Hunter chose that moment to double check the situation, entering just as the Assistant is escaping. She leaves on the bottom motorcycle, which is smaller and more streamlined to be better used for it's actual purpose. The Bounty Hunter follows, getting on his own motorcycle which is bigger and flashier just so that he can show off.


They begin a chase out of town, with the Bounty Hunter in pursuit of the Assistant. Misfortune constantly hinders him in the form of rocks, cacti, fences and potholes, allowing the assistant to get away and start a life in a different town with another similar looking Bounty Hunter and similar looking office.

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